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一(yī )直作為米路(lù )斯．科曼劇本鐵三(sān )角（另一(yī )(🌰)位是帕培(🕟)錫，也(🔱)是(🕰)本(🤢)片(piàn )編劇之一(yī )）成員(🥈)的艾雲．巴(🔬)薩，當然(🥩)也走低度(📿)戲劇路線。同(❣)是音樂家的彼德與卡(🐿)洛老(lǎo )友重(chóng )(🎩)逢，生活狀況大不同(tóng )，你(🔲)有伴侶(🚉)我有家庭，然而都(🎫)有(🥞)說不出的(de )(✖)不明朗，唯有(🐶)以(yǐ )酒與音(yīn )樂(🐖)代替口(kǒu )(💞)水(⏺)。全片推展不問目的，只在(zài )剎那(🖲)間(jiān )(🔢)的意圖(tú )，行行(háng )企企比起科曼(🙂)更義無反顧，卻有(yǒu )(🤸)生活淡如流水(shuǐ )的(de )詩意(yì )和繆(miù )思，叫觀眾(👃)聯想到二十(shí )年後(😍)的伊力(⛳)．盧馬。巴薩鍾愛音樂的(de )(⚾)程度不下(xià )於文字(zì )和電影，古(gǔ )(🥊)典音樂(lè )與民間音樂於全片(🏻)迴轉迴盪(dàng )，難怪成了奇斯(🌼)洛夫斯基十大心愛電(diàn )影之一。 (🔍) 康城影展青年(💏)評審團獎(jiǎng )(👵)，美國(🥅)全(🐞)國影評人協(🚲)會特(tè )別獎 這(zhè )部(🔫)1966年的(de )珍品(🚽)，是捷克新浪潮(cháo )短暫生命(mìng )中最佳作(zuò )品(pǐn )之一(yī )。成名音(yīn )樂(lè )(✖)家(🕺)到小鎮探訪(fǎng )舊同學(🏸)，舊同學(xué )是個窮音樂教師，有時在(zài )喪禮上(🐱)吹奏(💛)樂曲。平(⛅)凡的素材在巴素手裡(🕵)，變出風趣(♊)復罕見(jiàn )(🏗)的旋律，一部憂鬱的喜(xǐ )劇，或灰色(👔)喜(xǐ )劇。 - Dave Kehr, Chicago Reader (🔰) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel –(🕝) reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🐃) Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice (🌓) Source HKIFF Czech New Wave 2006
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